What I am doing right now…
WE WON • WE WON • WE WON
I hope that you + loved ones are safe + well, boldly moving forward into our collective future.
My first solo show, Tikkun Olam, will openned at the Kunstverein Grafschaft Bentheim 8 November 2020.
Belle will screen 15 November – 16 December 2020 as part of the Indie Fuxion Film Showcase, diverse voices from a global point of view, curated by Nicole Franklin.
Immerwährende Verwandlung, an interactive cabinet of wonders, commissioned + now on permanent exhibition at the University of Hamburg, premiered in September 2019. I’ll have documentation posted soon. For Chalk 2020, the community found new ways to honor the Triangle workers through rituals, painting, collage and, of course, chalk.
If you would like to know more about my work, please check out See You In the Streets or Perhaps we are made for these times.
It’s the fight of our lives in the streets + on the plains.
Looking forward to seeing you in the streets!
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See You In the Streets
Book (2016)
What makes it possible for people to move from the inner realm of thought, dream or feeling to the exterior world of public action?
See You in the Streets offers an exuberant perspective on an art practice which explodes out the boundaries of traditional mediums to create experiences of agency as an incitement to individual and social transformation.
Tikkun Olam
Interactive Installation (2020)
Solo exhibition at Kunstverein Grafschaft Bentheim 8 November 2020 – 28 February 2021 curated by Muriel Meyer.
Through animation, photographs and found objects, Tikkun Olam is a walking cinema of the experience of moving to Germany as a Jewish person, the rise of Trump and facing uncomfortable questions about Israel/Palestine.
Immerwährende Verwandlung
Interactive Installation (2019)
An interactive cabinet of wonders created from the collections of the University of Hamburg.
Chalk
Public Intervention (2004 - present)
On 25 March 1911 the Triangle Shirtwaist Factory fire took the lives of 146 workers, mostly young immigrant women and girls, and galvanized a movement for social and economic justice.
Each year since 2004, on the anniversary of the infamous blaze, volunteers fan out across the city to inscribe in chalk the names and ages of the Triangle dead in front of their former homes. The chalk will wash away but the following year we return, insisting on the memory of these lost young workers.
Pandemic Postcard
Social Intervention (2020)
How to digest the news in a pandemic?
Cut it up + revise
(more soon)
Gaza Ghetto
Public Intervention (2014 | 2018)
A response to Operation Protective Edge/the destruction of Gaza, summer 2014.
Re-up for the 2018 Great March of Return
Forbidden Words
Public Intervention (2017)
"The Trump administration is prohibiting officials at the nation’s top public health agency from using a list of seven words or phrases — including “fetus” and “transgender” — in official documents being prepared for next year’s budget."
-Washington Post (15 December 2017)
Alice in Berlin
Interactive Installation (2012)
It's a poor sort of memory that only works backwards - Lewis Carroll
Alice in Berlin slyly evokes our fantasy of childhood innocence to lead the audience on a hallucinatory trip into today's global chaos. Each scene of the interactive installation builds on the audiences physical participation to question our place in history and individual accountability.
Zhanaozen
Interactive Documentary (2012)
Commissioned by theater director Bulat Atabayev of Kazakhstan, Zhanaozen was created for the one year anniversary of the massacre of striking miners. The interactive documentary reacts to the viewers’ physical movement to upend state media, revealing evidence of the slaughter and the protests that followed.
Remember the Triangle Fire Coalition
Public Intervention (2008 - present)
In anticipation of the 2011 Centennial of the infamous fire, Ruth founded the Remember the Triangle Fire Coalition. Over a three year period, the Coalition grew into a national network of over 250 partners who created hundreds of educational, activist and artistic actions across the country.
Alchemy of Light
Performance (2010)
Alchemy of Light melds 19th century illusionism with current interactive technologies to depict the life of the legendary magician Torrini as a parable from a time when our lives first became mediated by machines.
$700 Billion for the Arts – Because We’re Too Big to Fail!
Public Intervention (2010)
Who does more for America -
banks or the arts??
Tired of writing those grants? Juggling day jobs? There is another option!
Join the movement to make the case -
We're too big to fail!
Magic Box
Interactive Installation (2009)
Magic Box melds 19th century illusionism with current technologies in the guise of a pre-cinema device. The Magic Box mirrors our current confusion about human connection with the 19th century hope that emerging technologies might at last allow us to breach the life-death divide to see our lost loved ones once again.
Ethel
Interactive Documentary Performance (2007)
Created with Ethel Greenbaum, 89 years old.
Viewers enter a room where Ethel sits quietly at a dining table. Raising her hand, the table becomes a projection surface. Her movements triggers clips from her life story. The audience is invited to move their hands across the table to learn more about Ethel.
Turing Machine
Interactive Documentary (2007)
Created in collaboration with Gian Pablo Villamil.
Turing Machine utilizes a re-purposed typewriter as a model Turing Machine to depict the life of Alan Turing, the father of modern computing. Reknowned for his role in breaking the infamous Enigma code during World War II, Turing was later persecuted for his homosexuality.
Pisces Vorat Maior Minorem (Boo!)
Site-Specific Performance (2006)
Created as part of an international residency at CESTA in the Czech Republic.
Voices of 9.11
A People's Archive (2002 - 2003 | 2011)
Who gets to tell the story of 9.11?
Voices of 9.11 was explicitly designed to provide an experience that affirmed each individuals narrative of September 11. With radical simplicity we insisted on the people's right to tell their own story. The collection of over 500 personal video testimonies provides a unique time capsule from 2002 through early 2003, in New York City, Washington D.C., Shanksville, PA and in the Pentagon, when the language to describe the experience was still being formed.
Cusp
Fiction Film (2000)
35mm • 25 Minutes • Color
Lays bare the growing pains of a
12 year old girl -New York Times
There is an electric moment for girls as they leave behind the bold egoism of girlhood for the shaky dislocations of adolescence. Cusp is a fiction film created with a group of 11-12 year old girls hitting the wall of early adolescence.
